Early in the 21st century, GIGERTRONICS advanced human evolution into the BIOMECHANICAL phase — a fusion of engineered flesh and living machine. From that fusion came the BIOMECHANOID.

Gigertronics discovered that metal could be made to grow within living tissue — that bone could be reinforced with woven alloys, and organs replaced with living machinery: tubes that pulsed like veins, artificial muscles anchored to steel, and grafts that reshaped themselves to meet the body’s needs.

The first Biomechanoids — known as “Biomechs” — were humans enhanced with biomechanical implants engineered for off-world survival, enabling their bodies to withstand radiation, extremes of pressure, and prolonged exposure to the vacuum and cold between worlds.

But the technology did not remain beyond Earth.

It returned with workers who carried it in their flesh.

At first, biomechanical conversion was confined to sealed facilities, under strict authorisation.

Then the rumours began.

The converted bodies did more than function like machines
They changed.
They adapted.
They improved themselves.

Soon everyone wanted at least one or two implants.

In fact it became impossible to get work, or even survive without them.

But beyond the practical advantages for survival in a desolate unforgiving world.
People wanted the promise of becoming something more.

Soon, the unmodified human body became a symbol of decay, disgust and ridicule.
To remain natural was to remain unfinished, unformed and unwanted.

Beauty became metal made flesh, fusion fashion.

In the Biomechanical Age, death was no longer the greatest horror.

The horror was to die untransformed.

The Biomechanoid Creed:
ADAPT. ENHANCE. EVOLVE.